Monday, April 20, 2026

True Life: I'm a ¯⁠\⁠_⁠ʘ⁠‿⁠ʘ⁠_⁠/⁠¯

Some of you are too young to remember, and some of you are too old to have watched, and some of you will know exactly what I’m talking about. 

MTV had this show called True Life, and each episode followed people who had a weird issue or lifestyle or problem.

Episodes were titled like True Life: I’m Looking for My Father or True Life: I’m a Fanboy.

And it was never glamorous the way The Jerry Springer Show was never glamorous, but I watched it and liked it and secretly wished to be on it, if only my life wasn’t so plain.

But that’s never really been quite true, has it? 

It just seemed plain on the inside.

Like study abroad. We send college kids to these far-off exotic places, and it’s often the most enriching, unique experience of their life, but for the sap in South Korea hosting, it’s literally just his regular life. They send kids here—there’s one four blocks over visiting for a semester from Germany—but we don’t often talk about that.

So what I’m getting at is sometimes it’s the things that seem most plain and basic, because they are always there, that people are most interested in.

I haven’t been on the blog much because, to be frank, I wrote a 170-page story, then a 270-page sequel in two months. I sent out the first to trusted friends to read—one finished, and all have been enthusiastic. The second one I am holding back because I don’t want to overwhelm, but I think it’s good. So good that, for a brief moment, I went down an hour rabbit hole of r/self_publishing.

I could do it. But it’s so much work to do it right.

Then I stopped at branding. 

Apparently you need to figure out your genre…your audience.

And even though, of course, authors move a little bit from genre to genre, it’s not by a lot. Neil Gaiman is weird and surreal. James Patterson is crime and law. Stephen King is horror.

I am ¯\_ʘ‿ʘ_/¯

Poetry? Personal essays on domestic existential horror? Flash fiction that tries to be romantic and sweet but inevitably twists into the darkest parts of myself?

This is time for a second True Life confession.

I tried to monetize my blog six weeks ago. I get a surprising number of hits for whatever the fuck this is.

Actually, can my genre be “whatever the fuck this is” and leave it to the reader to decide? Uh oh. The guide for first-time authors says no. You really should prep the reader like a gay man about to bottom—no surprises, let’s negotiate all the boundaries like a BDSM scene before you pay 99¢ for this detective noir to spill on your screen.

Anyway, I tried to monetize. There was a full review of my blog and—

¯\_ʘ‿ʘ_/¯

They rejected me.

My content can’t make money. Even GoDaddy ads and TaxExpert.com and Walmart don’t want two inches of screen with me.

Blah blah blah, something about sexual violence and drug use and grotesque body horror.

Whatever.

Hand on the Bible, all those were intended as romances. Whimsical lil tales of lonely people finding each other.

Freak 4 freak.

Asshole 4 asshole.

Douche 4 Douche.

Whatever the fuck this thing I made is.

Like when we had to explain our piece in high school art class.

It’s a fucking vase, bruh.

That girl just drew the Nine Inch Nails logo.

I made this but am now in the principal's office.

It felt like all the other times I had to explain what I made.

It’s all romantic if you look to the feeling and forget I said hard-on and acid. At least it felt romantic when I was writing it.

I petitioned the judgment on my content. Please, Google Ad Daddy, lemme corp suck you off. I explained it wasn’t about the words or actions but the ~ f e e e e e e e e l i n g s ~

Any human would get it.

Google Ad came back with: ¯\_ʘ‿ʘ_/¯

They rejected my appeal.

Alas, I won’t make my lil 50¢ a day from you reading this, but whatever. I didn’t need it. I just liked the idea of some money from my writing—a few bucks I could hold up as some legitimacy trophy in a world where there are full, genre-perfect novels completely AI-written and sold straight from computer to Kindle like a digital rim job.

¯\_ʘ‿ʘ_/¯

I lied to a stranger yesterday—told a realtor I was 51. I lied up, and he said I look good for my age, and he said he was 60-something, and damn if I couldn’t tell if it was a lie or not because he looked my age. But he said he retired as a school teacher and had been selling realty for 20 years, so the math maths.

As a young child—actually not that young, well into college—I was a pathological liar for fun. Like a hobby. Stuff that no one would know if it was true or not. Show up to work and tell someone I almost hit a bird on the way in. I didn’t. But I was interesting for a moment.

And they always said the truth will set you free.

But I think it’s the lies that keep us living.

Things like there’s an audience for this.

Things like this retinol cream will change my life.

Things like I’m not all that weird.

Things like if Kafka can be published, why not Caroline?

Then I step one toe out of my comfort zone and realize how quickly the world asks me to pick a lane. But I want my own.

Keep in mind, dear readers: This is just about the stuff I share, and not even a glimpse into the stuff I journal and keep to myself.

That's more like ¯⁠\⁠_⁠(⁠ ͠⁠°⁠ ͟⁠ʖ⁠ ⁠°͠⁠ ⁠)⁠_⁠/⁠¯

P.s. The astronauts on Artemis II had their iPhones with them as they went further in space than any man has before. What the fuck is that—going further than anyone ever has, and still needing a screen? That's the world I'm trying to live in.

P.p.s. Sometimes, I get delusional enough to believe I'm just ahead of my time.

Between the Teeth

Emma picked up the comb, thin metal teeth, delicate and close together; it had come from a lice removal kit her mother had purchased from Walgreens a year ago. She had picked Emma up from school, a wordless short drive to the store, Emma staying in the car, the warmth of her breath fogging up the passenger window as she blew on it and drew into the moisture that clung to the glass. 

Then Mom drove her the short drive home, where she was stripped of her clothes and a warm bath was poured. Her mom washed her hair and used this small comb to slowly remove nit after nit from her hair. It took the rest of the day for her mom to wash all the bedding and clothes, vacuum every room, and place every toy in a plastic garbage bag, tied tight.

Emma didn't have a single toy to play with for two weeks.

But Emma saved the comb and kept it in her room, on the bookshelf between a copy of Stellaluna with the last page partially ripped, a worn copy of Amelia’s Notebook, and a Goosebumps choose-your-own-adventure book which she had never gotten past the first few pages before becoming too scared and putting it back on the shelf.

She saved it because it could be useful.

And now, a year later, no lice had returned, but the comb fit nicely in her small hand, and it slid through her dog Toby’s coarse white and black fur easily, catching fleas in between its teeth with each stroke. 

Emma had long ago discovered there were two types of fleas. The first were small and black, fast, still agile and leaping quickly from the comb into the carpet or her clothing or the dog, never seen again. Though they were the most difficult to catch and kill, they weren't the most satisfying to kill. 

The most enjoyable kill was the second kind of flea. At least ten times bigger than the little black ones, it had a swollen, large light brown abdomen, as if stretched by eggs or blood. She didn't know if it was just pregnant or an actually different species or just full from sucking Toby's blood, but they moved slow and couldn't hop far. When she used the little crescent of her nail to press into their bodies, there was usually, though not always, a soft crunch, and sometimes, if she was lucky, a little bit of blood.

Once, she had asked if there was shampoo for fleas on dogs like there had been shampoo for the lice she got at school.

“Dogs have fleas. That's just how it is.”

There was no reason to question it. Her mom knew everything.

Toby began to scratch at a perky, straight ear with his back paw, and Emma pulled the comb away. A small, tiny black flea leapt before she could get it. She scratched a red bump on her own ankle; it reddened, splotchy and growing slightly raw.

“Emma, hey, honey, go outside and play. My friend is here to visit,” her mom called from the first floor.

Emma slid the comb back between the books and climbed down the stairs. Her mom sat on the sagging brown couch with a man Emma had never seen before. Both held plastic tumblers with condensation beading along the sides.

Her mom hugged her lightly, and the man reached out and ruffled her hair.

“Don’t touch her.” Her mom pushed his hand away.

The man laughed, like it was a joke he was in on, and pulled his hand back slow.

Emma stepped back but didn’t leave, like she was waiting for something else to happen.

Her mom didn’t look at her again. "Go ahead and play."

Emma stepped outside, wishing she had as many friends as her mom did.

The apartment complex was nice, at least Emma thought it was. Townhouses, two and three bedrooms, all pressed next to each other, sharing walls. 

To the left of hers was an elderly Indian woman named Shashi who sometimes watched Emma when her mom was out; to the right was a family with twin girls in high school who played basketball, Jessica and Amanda. Emma never knew which was which until a few months ago, when the school bus driving back from some game out of town was hit by a speeding drunk driver in a large pickup truck, killing one of the players. Now it was only Jessica.

It was a nice place to live, with lots of families and kids and always someone cooking and someone outside, and all the adults seemed in cahoots. When Emma pulled and broke off multiple limbs from a tree not far from the entrance, not one but two adults had told her mother before she had even gotten home. The punishment came swift, quicker than a little black flea jumping off a comb.

But once you walked past the townhouse apartments, past the building called a clubhouse but was just an empty room with some tables and laundry facilities that stole quarters and Mom refused to use, there was an alcove of bushes that Emma had to get on her hands and knees and crawl through. 

On the other side was a large willow tree that reminded her of Grandmother Willow in Pocahontas, but no matter how hard she tried—eyes squinting, finger in the deep crevices of the bark—she couldn't get it to turn into a face. 

But she liked the willow tree best of all the places a child could play, even though there was a playground with swings and a slide and sharp chunks of wood mulch only feet away from her home. The branches dripped into curtain-like leaves to make it feel like a private oasis, hidden from the world, and when it stormed and was windy, they whipped around, and when it was calm they gently grazed upon each other in a soothing rhythm that made Emma sleepy. 

She often napped within the safe, lush, cool shade and moist air smelling fresh and green. It always smelled like wet, growing green in the tree. It wasn't the kind of tree to climb—to find one of those, you'd need to go to the tree line just beyond the clubhouse—but this tree was a tree for hiding, sleeping, privacy.

So Emma was shocked when she parted the verdant curtain and saw a girl, a new girl, never seen before, sitting beneath her tree. She was chubby, dark-complexioned, with curly hair, which had a headband with cat ears on top. The girl also looked to be about her age, which Emma did not like.

For a moment, Emma considered heading over to the playground, swinging on the swings, perhaps, from a distance, watching other children play—children with brothers and sisters and who didn't need another friend, or at least not Emma. 

However, this felt like she would be relinquishing her tree. She would be handing over her secret hideout to whoever this new girl was, and Emma knew this girl couldn't possibly understand how special this place was and wouldn't care for it the way it deserved, so she boldly straightened her shoulders and strode up to the girl, who had a stick in a hole.

"Who are you?" Emma asked, trying to sound tougher than she was genuinely capable of.

"Oh." The girl looked up, the stick still in the earth below her, the sun scattering thready shadows of the willow branches across her face. "I'm Amanda. I just moved here."

"We already have an Amanda here," Emma said, thinking of the twin basketball player, tall enough to get frisbees that got caught on the roofs of sheds.

"Oh." The girl looked down at the hole and began moving the stick in circles, widening the entrance.

"I mean," Emma corrected, "she died, so I guess it's okay. You'll be the new Amanda. And," Emma motioned up to indicate the girl's height, "she was, like, super tall, so you can be the short Amanda."

Then she looked at the girl harder. "What are you even doing?"

"I'm digging a hole."

"What for?" Emma approached and crouched down next to Amanda for a closer look.

"Oh, I thought this would make a good hideout. But," the girl looked at Emma, dirt smeared on her cheek, "a good hideout needs a place to go to the bathroom and a place for food."

"Yeah," Emma nodded in fervent agreement. This was indeed something that was necessary, and Emma was a little frustrated that she hadn't thought of this before. She began to survey the area and pointed at a lower space between two roots, strong, solid, and bursting out of the ground in thick woody veins. "We can do the kitchen here." Emma picked up a decent-sized stick. In silence, the two girls worked for a while, moving dirt with sticks and in their shirts held at the hem to form makeshift baskets, until two nice-sized holes were formed.

Emma and Amanda stood side by side and looked over their work in satisfaction.

"We need to get food and blankets and toilet paper," Amanda added.

Emma looked at the sun in the sky. 

"I can't go home quite yet."

Amanda nodded. "We have lots of stuff at my house." Then she began to walk in the opposite direction of Emma's apartment complex, into an area that Emma had never been brave enough to venture—an area that most definitely was outside of the "complex" she was supposed to stay in.

When they slipped through a hole at the bottom of a tall wooden fence hidden behind a thicket of shrubs, Emma's heart twisted in that pounding fear, like when her mom called out her full name. Emma Marie Duncun. When you knew you were in trouble. Partially because she was concerned that she wouldn't know her way back home, but mostly because it was a very different place than she was used to. 

First, there were houses—real houses—without adjoining walls, without parking spots crowded next to each other. There were fences separating one yard from another and driveways leading to garages, most cars tucked within, but the few outside didn't seem like the cars Emma knew. These were not cars that used a screwdriver as a key to the ignition or with a window that had a strip of silver duct tape to keep out rain.

Amanda stopped in front of a house. Green door, no numbers on the door. No 2A, no 21B. No neighbor smoking a cigarette so close that the smoke could be smelled inside when she opened the door. Really, the only thing that seemed familiar was the emptiness—the lack of bodies inside the house.

She had plenty of experience being alone. Most mornings, her mom left for work, and so Emma waited for the last episode of Garfield to end, locked the door, and walked to the bus stop, which was at the mouth of the apartment complex and usually filled with a couple kids and an adult or two—it made perfect timing. She always arrived before the bus. 

Most afternoons, she arrived home, unlocked the door with her key or had Shashi open the door with her spare. It was pleasant to rule the rooms, go freely from one to another, make a little or as much noise as she wanted.

This, however, seemed different. How, she didn't quite know.

Amanda was swift-moving, grabbing a fleece blanket and draping it over Emma's shoulder, pulling a roll of toilet paper off the holder in a bathroom which felt thicker and nicer than Emma usually had, then moving toward the kitchen. She tucked a box of Lucky Charms under one arm and a huge box of Fruit by the Foot under the other.

"Let's go," Amanda said with the confidence only a determined child can muster.

"Yeah, okay," Emma said, but she didn't feel at ease until they returned to the willow tree, where she was once again assured of her ability to return home, and the sheer comfort of familiar jurisdiction.

It was fun setting up the hideout with Amanda, setting up the various sections—a blanket on the ground to be the bedroom, a hole with the cereal and snacks, and a hole with a roll of toilet paper, stuck on a willow branch loosely tied to a peeling chunk of bark off the trunk. 

When the sky turned that soft, pink sorbet color and the streetlights began to flicker on one by one, Emma pushed herself up from the ground, brushing the loose dirt from her jeans and the front of her shirt.

“I have to go,” she said, glancing up through the willow branches as if they might hold the light in place a little longer. “You probably should too.”

“No,” Amanda said, jutting her chin out slightly, though she didn’t look at Emma when she said it. “I’m staying.”

Emma lingered for a second, not quite sure what to do with that, the idea of someone deciding not to go home sitting there in her chest, before it passed as quickly as it came.

“Okay,” she said, like it wasn’t anything at all.

She made her way back toward the alcove of bushes, dropping to her hands and knees to crawl through, the branches catching lightly in her hair, and then slipped past the playground and the clubhouse, toward the rows of apartments that suddenly didn’t feel quite as still or predictable as they had that morning.

There were people outside—more than usual—moving with a kind of purpose she didn’t recognize, flashlights cutting through the dimming light, voices calling out, overlapping, searching. Police officers stood in clusters with adults, all of them talking at once, pointing, shifting, looking.

“Oh my God, Emma. You’re safe.”

Her mom broke from the group and hurried toward her, pulling her into a tight hug that pressed the air from her lungs just slightly.

“There’s a missing girl,” she said quickly, her voice too sharp, too thin. “Have you seen her? Anyone new? Anyone at all?”

Emma shook her head.

“Nope. Played alone all day.”

That night, lying in bed, Emma could still feel the cool dampness of the willow tree, the soft give of the dirt beneath her hands.

She could feel the small give of something between her fingers.

Tomorrow, she would go back.

The best ones were the ones that didn’t get away.

Saturday, April 18, 2026

I ask ChatGPT how to explain how weird Kathy Hilton is on real housewives of Beverly hills to a 74 year old Vietnam vet who has never seen the show.

To land this with someone like that, you don’t want to explain the show—you want to translate her energy into something he already understands.

Start with a grounding analogy, then layer the specifics:


Imagine telling him:

“Kathy Hilton is like if a very rich general’s wife wandered onto a battlefield—but she’s not scared, not in charge, and not exactly aware of what’s going on. She just sort of… exists there, doing her own thing.”

Then refine it:

“She’s not weird like crazy. She’s weird like she’s operating on a completely different set of rules than everyone else—and doesn’t realize it.”


Give him a few concrete images

Image


Image


Image

Image

Now translate those moments into his language:

  • She’ll walk into a room full of people arguing and ask something completely unrelated, like she just tuned into a different channel.

  • She forgets basic things mid-conversation—not in a declining way, but in a “why would I need to remember that?” way.

  • She brings objects (fans, snacks, random items) and fixates on them like they’re the main mission.

  • She has the confidence of someone who has never had to be corrected.


The psychological shorthand (this is the key)

“She’s what happens when someone has been so wealthy and insulated for so long that normal social feedback doesn’t reach them anymore. So instead of acting strange on purpose, she acts like reality is slightly… optional.”


The cleanest one-line version

“If everyone else is playing chess, she’s playing solitaire—and winning, somehow.”


If you want to sharpen it even more for him specifically, tell me how he talks (dry? sarcastic? blunt?), and I can tune the analogy so it lands perfectly.

World War One Was Not Called That At The Time

“You didn’t get very much sleep last night,”
my husband says to me,
as if I was not aware.

“Do you know why that is?”
he asks. Actually, I don’t.

Maybe it’s the Hormuz Strait
closed again, or that Sabrina Carpenter
brought Madonna out at Coachella,
or probably the Aries new moon,
some hormone imbalance
I don’t know about, or even
just whatever we ate
for dinner. Mayhaps it’s
stress, or the CNN story
about men who swap tips
on how to drug and rape their wives
uncaught. From a YouTube video
I found out how to check
router history—

no worries, my husband
has only looked at houses
and cars for sale, and bought
an obscene number of cigars
in the last three months. He wasn’t
learning how to rape. So I am not
worried.

Or it’s how suddenly,
inexplicably, we are now people
who use those laundry beads—
the ones that just make your clothes smell
extra soapy but don’t clean at all,
during an economy when belts
are getting tighter all around.

I say, “I don’t know.”

We go about our morning
as if everything is normal.

Do you ever think about how
they never called it World War One
or World War Two when they were
happening?

We all know why that is.


Wednesday, April 15, 2026

The Architect of My Own Cross


I was today years old when I learned SSRIs can make your period super heavy and painfully biblical.

Perhaps you’re wondering how.

Well—after almost two years completely antidepressant-free, I started to suspect I might be a little down. Cue evidence that now feels underwhelming: I was bored at my new job (too much free time is its own kind of problem), frustrated that the economy and Trump have more say in our ability to move than our effort or finances, and we were crawling out of a long, dark winter.

In hindsight, maybe that wasn’t chemical. Maybe that was just… life.

Addendum: at one point, I also worried I was masturbating too much—which, historically, antidepressants solve by turning me into an asexual eunuch in a chastity belt.

So I started 12.5 mg of Zoloft. A quick Google will tell you that’s barely a dose. My body will tell you it’s still plenty.

I used to take 50 mg daily for years—seven, to be exact—then 100 for a year, then 150 for a few months before I finally tapered off two years ago. Every increase made me feel worse, not better. And every time I said that, the solution was the same: more, or different, or both.

Adjust. Increase. Repeat.

Anyway. It turns out there are things worse than being bored with your life, listless at work, and vaguely sad when it’s pitch black at 4 p.m.

For example: feeling like someone is repeatedly driving a knife straight into your gut until all you can do is cry and—literally, yes literally—throw up from the pain.

Did you know orgasms can lessen menstrual cramps? That regular orgasms can make periods lighter, easier, more manageable?

Three months ago, I was writing about how light mine had gotten. Maybe it was the masturbation, I thought.

Then my brain, in all its wisdom, decided: no, actually, you’re unwell. You just have too much time on your hands to fuck off. Literally. 

So I took a pill that killed the desire to do the one thing that helped—
and replaced it with something that makes it worse.

I am the architect of my own stupid cross to bear.

I went into the woods, picked the tree, hacked it down myself. Dragged it home. Carved the cross. Hammered in the nails.

And now here I am, two oxycodone and a swig of Pepto-Bismol deep, while my husband paces and asks if we should go to the ER, and I’m like, “It’s natural—what the fuck are they going to do?”

Watch me, the martyr, refusing even a sip of water like it means something.

But here’s the thing—

I haven’t cried at a single commercial for kids with AIDS.

So.

You know the SSRI is working.

Reverence.

They shot three men and a woman into space,
and they went farther than anyone before,
snaking around the dark side of the moon.

And they named a crater after one of the guy’s
dead wife—Carroll.

It’s sweet.
It’s sweet.
I know it’s sweet,
because that’s what is said every time
it’s brought up on the news—heartwarming,
sweet, inspirational, and other synonyms.

But all I think of is how craters are made:
violence. Hunks of rock hurling through space,
smashing into the surface—not enough to burst
out of orbit, but enough to embed in the surface,
to forever scar and mar the back of the moon,
the side it hides from the earth, like keeping something
behind your back so your mom can’t see.

And that was the legacy of a dead spouse.

Sunday, April 5, 2026

Puerarchy

I turn to my blog because I know better than to turn to you with my unfiltered, raw thoughts—thoughts I probably won’t even believe or agree with tomorrow.

One day.

At 74, you get one day to throw a pity party, watch Charlton Heston movies back to back, and wander around the house quiet, sullen, and not eating. I concede that. But the pity party has to end tomorrow.

You know, if I tried to throw a tantrum all day, you’d read me the riot act. You’d tell me to act like an adult. Bitch, I’m half your age—take your own advice. I’m too nice.

Everyone who has ever said they were in love with me eventually treated me as a burden. I’m so sick of it, because you are actually getting the best version of me anyone has ever seen. I hold down a job. I don’t fight you. I don’t demean you. I do laundry and change the sheets every week. I make dinner almost every night. I clean. Yet it is still not enough. It has never been enough. It wasn’t enough for my first husband, who I did even less for, and it isn’t enough for you.

I’m so sick of the double standard—how the men in my life get to be ~ depressed ~ get to wallow in their own shit for a day or two or a week or a month, but me? Oh, jeez, if I shed one tear over something hurtful said to me, it must be my time of the month, because God forbid I have a stupid, measly, fucking human emotion like hurt.

You don’t love me like you used to. Then again, I don’t love you like I used to. I don’t know which is worse: people who give up, or people who won’t.

Oh, by tomorrow, after I’ve written it all out, taken a shower, slept, and started a new day, I’ll be all sympathetic. We all get down. We all are flawed. We are all human. We are all trying our best.

I probably will apologize again, even though I apologized multiple times today, and for what exactly, I couldn’t say.

Tomorrow morning, you’ll feel foolish. You’ll see how you went to bed at 4:30 p.m. and threw away a whole day we could have had together. You’ll see how I made dog food, did laundry, changed the sheets, cleaned the kitchen floor, and watered the garden while you were feeling sorry for yourself—for what?

And I’ll be grateful you made me mad enough to get that much done in one day.

It will continue—some grand pattern, some horrific tango—in which you feel more inferior and, each time you show it, I prove it.

Tomorrow, I will see you pilling the cat and crooning sweet things to her, and I’ll remember why I stay. I will think one bad day is nothing against months of good ones. I will realize that, deep down inside, I wanted to be a little shit all day too—I just channeled it into a shitty blog and stupid chores. I’ll see you sleeping with the innocent face of a baby. I’ll recall that you were not even eighteen when they handed you a gun and made you kill someone. I’ll catch the flicker of a boyish grin as you describe a motorcycle you once owned. Use the garage door I broke and you fixed.


I’ll somehow find a way. And so will you.